If you haven’t seen these you can find them almost anywhere that sells lighting. This one came from Home Depot and is made of foam. They come primed and ready to paint.
I chose to use Modern Masters metallic paint in the color Brass which coordinates with the other fixtures in the room where this will be installed. The glazing brush I’m using came from Pierre Finkelstein’s collection and is perfect for getting into the nooks and crannies on this piece.
Metallic paint will show brush marks if you try to simply brush it on, making it look streaky. It’s best to use a stippling, pouncing motion to not only get the paint in the crevices but to also give the paint a more even finish. This paint is a little transparent so it required three coats.
When the three coats of brass were on I painted the inside and outside rings with two coats of an off white latex paint. The latex was in a satin finish which is important because I planned on glazing it. If I had painted it with craft paints or matte latex the glaze wouldn’t work properly and the piece would end up too dark and splotchy.
The chandelier that will hang under this medallion is chrome and glass, so I decided to add aluminum leaf on one part of the molding and on a couple small pieces on the inside carving. The first step in applying leaf is applying a liquid size which is very runny so I taped off the ring to prevent the size from dripping where I didn’t want it to go.
I use Rolco Aquasize because it’s water based and dries faster. Traditional oil-based size takes forever to tack up. I buy the metal leaf from Royal Design Studio, which is really close to my house and has a great selection. You can buy online from them as well.
Apply the size in thin layers with a soft brush. The size is the consistency of water so there’s really no way to put on a thick coat. It takes 25 minutes to dry and get tacky. If after 25 minutes it’s not tacky enough, put on one more thin coat.
A quick note on metal leafing: True metal leafing is an art form that takes years to master and pristine tools and environments. What I’m describing here is what I call Crafter’s Leafing. I’m just gluing on shiny metal. I’m breaking every rule of leafing, and I’m fully aware, so there’s no need to point it out.
Metal leaf comes in square sheets and is lighter than air, so don’t do this outside or near an open window, or while you’re blow drying your hair. Simply lay a piece of leaf over an area with size. It will stick immediately.
If there are places where the leaf is missing, it just means you missed a spot when you were applying size. That’s easy to do when working with light colors because the size is transparent. Apply more size to the spot and add leaf when it’s tacky. It will blend in when you burnish it.
The glaze I use isn’t readily available to DIY people, but if I could give you a recipe I would tell you to go to an art supply store and pick up Golden’s Acrylic glaze and Van Dyke Brown fluid acrylic. I would mix one part pigment to six parts glaze. Always test it before slopping it on the whole piece.
I use a soft hake brush to stipple the glaze in the low flat areas. It evens out the glaze, blends it with the adjoining section and gets rid of smears. Work in small sections around the piece, glazing the outside molding last. Acrylic glazes take 24 hours to dry completely and may take even longer where the glaze puddles in the crevices.
A small note: this didn’t end up being the final product thanks to the client’s wanting more metal leafing. Please go to this post to see the real final product.